The Place Beyond the Pines

6 Oct

the place beyond the pines

 

Director: Derek Cianfrance

Writers: Derek Cianfrance (story), Ben Coccio (story)

Stars: Ryan Gosling, Bradley Cooper, Eva Mendes

Motion Picture Rating: R

Runtime: 140 minutes

 

This slow burn drama was hot property on the film festival circuit, but its heat dissipated at the cinema. Regarding the cast, story and end product I am surprised by the poor reception. This is a good film and deserves an audience beyond Sundance and Venice. The issues for the ‘mainstream’ I am sure lay with the rather ambitious layering of three connected stories, the slow-quick-slow pacing of the film and Ryan Gosling’s character. His fairground stunt rider dominated the marketing of the film, but the story actually revolves around Bradley Cooper’s character.

The transition from Gosling to Cooper is the first of two significant shifts in a film that aims to tell three connected stories. Both gear changes have the propensity to frustrate, but I went along with them and ultimately enjoyed this from writer-director Derek Cianfrance. No doubt Gosling die-hards will be disappointed by this and the snobbier film critics scoffed at Cianfrance’s ambition. All of that is understandable up to a point, but I was taken with this. It reminded me of a couple of films from Paul Haggis (Crash, Million Dollar Baby and In the Valley of Elah) where stories veer suddenly off in unexpected directions, but then come back again to connect the dots.

Coming after Drive this is another strong, silent and Steve McQueen-esque turn from Ryan Gosling. Here he shifts from expert getaway car driver to expert getaway motorbike rider, but again his criminality pays for his working class girlfriend to move on with her life. Eva Mendes is that girl and Bradley Cooper is the cop that goes after Gosling. It is a strong cast of gifted actors. We have seen it before from Gosling, but Cooper is stretched further than usual here and is convincing as the conflicted and ambitious cop.

There are two excellent supporting turns in this; one from Ray Liotta as a crooked and bullying colleague to Cooper and one from Ben Mendelsohn as Gosling’s partner in crime. Liotta still has the ability to put people completely ill at ease and is nicely menacing here. Mendelsohn was fantastic in Killing Them Softly and is on top form again. He is a laid back actor, but somehow captivating to watch and his relationship with Gosling, including a nice Hall & Oates inside joke, is a highlight.

The second narrative swerve, into the third act and final story, is not as effective as the first and at 140 minutes this is a little on the long side. It is not a perfect film, but it is very watchable, genuinely moving, well-acted and well worth your time. The conflict between criminal Gosling and lawman Cooper ignites the film and what follows is a sincere deliberation on the relationships of fathers and sons and the struggle to outrun the past. Cianfrance is a talented and thoughtful film-maker and has followed up strongly on the 2010 film Blue Valentine (also with Gosling).

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